Tag Archives: filmmaking

Early Review: Call the Shots

Call the Shots by Don Calame (pub date 9/11/12)

Another YA treat that I picked up from BEA!  This one is part of a series but it can be read on its own.  I haven’t read any of Calame’s previous books but Call the Shots is a self-contained story and I was able to pick up on the characters pretty quickly.

Coop, Sean, and Matt are fifteen, best friends, and always coming up with new schemes.  When wise-cracking Coop hears about an upcoming indie horror movie festival, he knows he can make a movie that’ll win the top prize.  At first his friends aren’t interested, but then Sean finds himself in a situation in which he needs cash fast, and decides to go in on the project.  With movie-buff Sean as the screenwriter, the three boys begin working on their idea for the next big horror flick: a monster movie featuring zombie/vampire/human/chimp hybrids.  All they need is start-up funds, actors…and a camera.

Soon the project becomes more complicated than they had imagined.  Between borrowing money from Sean’s stoner uncle, and using his psycho girlfriend’s camera on the condition that she star in the movie, the guys start to wonder if they’ll ever finish their masterpiece.  At the same time, Sean is dealing with an unrequited crush on a girl at school, a drama teacher with too many suggestions for his screenplay, and a twin sister who hates his guts.

I really enjoyed this cute and funny story.  It has great comedic timing, and realistic characters.  I think it’s harder to write teenage characters than some people think; they can sometimes sound too adult or too childish.  But the boys’ witty dialogue felt very natural to me.  Due to its rough language and drug references, this is definitely a book for older teens.  And if you’re an adult who enjoys YA, I think you’ll be pleasantly surprised by this book.

Interview with Indie Filmmaker Justin Timpane!

Are you looking for a way to raise money so you can write a book, start a magazine, or make a movie? 
 
A few posts ago, I mentioned my trip to the Intervention Con in Maryland.  Going to cons is awesome, because you never know who you will meet.  If you’re lucky you can meet people you can establish creative connections with.  Among the interesting people I met was Justin Timpane, director of the indie film Ninjas vs Zombies (which is a lot of fun, so definitely check it out).  Through Justin I learned about Kickstarter, an online fundraising venture for people who want to fund creative projects.  Kickstarter is not just for filmmakers!  If any of you who follow this blog is looking for funds for a book project, here is a way you can do it.  In the interview below, Justin talks about his work and what it’s like to fund projects from the ground up:        
 
Tell us a little about yourself.
Hi, my name is Justin and I am a filmmaker!  (But, Jen, I thought you mostly did stuff about books?!)  Well, as an indie filmmaker, I spend a LOT of time writing.  Since I started on NINJAS VS ZOMBIES so many years ago, I have had to write two screenplays, begin and abandon three more, and become a co-writer on a comic book.  It’s hard when you do it at this level because this is all while managing a job and a family with two kids!  I live in the Washington DC area, and it’s a great place to be an indie filmmaker! 

 

 

Ninjas vs. Zombies Poster

How did you discover Kickstarter?

 Well, for indie projects, it’s pretty much either Kickstarter or IndieGoGo, and Kickstarter seemed to have the higher percentage of folks who got projects finished…so we went that way. 

What has your experience with Kickstarter been like?

It is difficult.  My FB friends are sick of me and my family misses me.  I get up every day, check where we are and then jump on Twitter and just ask for help.  It can be a little soul crushing, but at the same time, people come out of the woodwork to help.  It’s awesome in that way…but you gotta put your pride aside and just work, work, work.  Oh, and by the way, if you’re reading this, every little bit helps!  (At least come check out our page at www.ninjaswin.com/)

Tell us about your current projects.
I am attempting to finish the rarest of projects, a microbudget Film TRILOGY.  We have completed and distributed “Ninjas vs Zombies”, and “Ninjas vs Vampires”, and we seek to finish it out with “Ninjas vs Monsters” – which pits our heroes against the classic movie monsters.  It’s basically Clerks meets Buffy with a bit more blood – but we definitely consider ourselves equally horror and comedy.  Actually, I honed in on Jen because she was wearing a Buffy-related shirt. Our films are steeped in homages to Joss (the great one) Whedon and Kevin (the other great one) Smith. Plus, I have an Angel puppet on my wall…gotta count for something. 

Do you plan to use Kickstarter for any future projects?

I’m not against it, but it is, again, really, really hard.  It would depend on the project.
 
What advice do you have for someone who wants to use Kickstarter to fund his/her creative project?
Clear your schedule for the time of the campaign.  You will be doing this full-time.  Make an interesting video and get the word out however you can.  Try not to despair when it gets slow, and get some good folks to help you get part of the way there.  It helped us that the creator of the BLAIR WITCH PROJECT gave us a shoutout…turns out he’s a fan and put down on video that we were the best indie-film around to donate to.  You can actually see that video at www.ninjaswin.com. Get ready to blast your Twitter and Facebook accounts and to dig in…oh, and find wonderful readers like Jen who will say to themselves “Hey, I wanna help that guy out.” ;)

Early Review: Film School

Film School by Steve Boman (pub date 11/1/11)
 

 
I’m usually wary of reading about other people’s success stories.  Part of the reason is because I’m disinclined to believe that the person really struggled to succeed as much as he or she claims.  I often come away from the story thinking “Sure, it was easy for you because you were rich/well-connected/a genius to begin with!”  The other part of the reason why I usually shun success stories is because for the vast majority of people, the ‘rags to riches’ story will never be a reality.  So for the pessimist in me, reading about the triumphs of another so-called ‘average joe’ can be somewhat depressing.
 
But this book is an exception.  Film School is the story of an actual average person who decided to switch careers in his late 30s and succeeded.  Steve Boman was a middle-class Midwestern family man, who worked off-and-on as a journalist while caring for his cancer-stricken wife and raising three daughters.  Wanting to make a dramatic change in his life, he decided to take a professional risk (as well as taking on a copious amount of debt) and applied to the School of Cinematic Arts at the University of Southern California, one of the most prestigious film programs in the nation, if not the world.
 
The film program at USC has a well-earned reputation of being tougher than medical school (I know a current student there who can attest to this), and Boman quickly found himself in way over his head.  Being more than ten years older than most of the other students, and not having a background in film, he found it difficult to convince people to work with him.  In his first semester, he was threatened with expulsion for inadvertently violating a school policy.  He dealt with constant competition with other students and harsh criticism from his teachers.  After his first semester he dropped out of the program, and a year or so later he re-applied, was re-admitted, and then had a stroke on his first day of class.  But despite all the physical and mental stress he endured, Boman did graduate from USC in his early 40s, and pitched a television show idea to CBS which eventually became the short-lived series “Three Rivers.”
 
There are several reasons why Film School is a memoir that’s worth reading.  First off all it’s very well written.  Having studied writing while attending USC, Boman expertly crafts the story of his personal journey through hardship and success, and his insight and sense of humor are evident throughout the entire book.  It’s a little long in some parts but never boring.  It’s also a compelling story in that it’s an accurate reflection on what it’s really like to work in Hollywood.  Boman was fortunate enough to have pitched a TV show idea that was picked up by CBS…and then the show got canceled.  He did make some money from the show, but he did not become a millionaire overnight.  That’s the truth about trying to work in television or film: you’re up one day and then down the next.  It’s a hard business and it’s not for everyone. 
 
Boman is also brutally honest in telling his readers that admittance to the USC film program in no way guarantees success in the film industry, or even a job for that matter.  He describes how some of his fellow students have found themselves disenchanted with USC, and frustrated that the school’s administration cannot (or will not) provide any data on how many of its graduates actually go on to find jobs in the film industry.  Indeed, Boman takes the time to express both his gratitude to USC for the amazing experiences it afforded him, and also his frustration with some of the faculty and especially with the political climate:
 

“At USC’s film school, the fashion is to say that America is a corrupt and villainous empire, with injustice under every rock.  It is ironic that in this bastion of wealth and privilege and luxury, I hear almost unrelenting criticism of the society that creates all this wealth and technology and freedom of expression.  I notice the loudest critics often have perfectly straight and dazzling white teeth.  Sometimes these opinions seem more often based on the desire to be cool than on clear-eyed political analysis.”
 

Film School is a must-read for anyone who has ever wanted to attend USC (myself included) or any other film program.  It’s also a great motivator for anyone who wants to change careers but worries that it’s too late (me again).  And have I mentioned how freaking awesome the cover is?  I never usually comment on cover art, but this one is just great!  All in all, this book is an American success story that’s both realistic and uplifting, and at heart a very interesting read.    

P.S. Click here to read an interview with Steve Boman about what motivated him to write the book.